It was all, none the less, not so bad as Fleda had feared; it was faded and melancholy, whereas there had been a danger that it would be contradictious and positive, cheerful and loud. The house was crowded with objects of which the aggregation somehow made a thinness and the futility a grace; things that told her they had been gathered as slowly and as lovingly as the golden flowers of Poynton. She too, for a home, could have lived with them: they made her fond of the old maiden-aunt; they made her even wonder if it didn't work more for happiness not to have tasted, as she herself had done, of knowledge. Without resources, without a stick, as she said, of her own, Fleda was moved, after all, to some secret surprise at the pretensions of a shipwrecked woman who could hold such an asylum cheap. The more she looked about the surer she felt of the character of the maiden-aunt, the sense of whose dim presence urged her to pacification: the maiden-aunt had been a dear; she would have adored the maiden-aunt. The poor lady had had some tender little story; she had been sensitive and ignorant and exquisite: that too was a sort of origin, a sort of atmosphere for relics and rarities, though different from the sorts most prized at Poynton. Mrs. Gereth had of course more than once said that one of the deepest mysteries of life was the way that, by certain natures, hideous objects could be loved; but it wasn't a question of love, now, for these: it was only a question of a certain practical patience. Perhaps some thought of that kind had stolen over Mrs. Gereth when, at the end of a brooding hour, she exclaimed, taking in the house with a strenuous sigh: "Well, something can be done with it!" Fleda had repeated to her more than once the indulgent fancy about the maiden-aunt—she was so sure she had deeply suffered. "I'm sure I hope she did!" was, however, all that Mrs. Gereth had replied. CHAPTER XVII!

"You're not all right—you're all wrong!" Fleda cried in despair. "You mustn't stay here, you mustn't!" she repeated with clear decision. "You make me say dreadful things, and I feel as if I made you say them." But before he could reply she took it up in another tone. "Why in the world, if everything had changed, didn't you break off?" "Yes, I didn't quite understand—but I think I understand now. The case is simple and logical enough. She's a person who's upset by failure and who blooms and expands with success. There was something she had set her heart upon, set her teeth about—the house exactly as she had seen it."

"For whom did he ask?" Fleda hesitated a moment; after which she exclaimed with a certain hard pride: "He's enough in love with me for anything!" "Did he tell you so?" Fleda asked.